South African crafters will be celebratedon Heritage Day, 24 September.(Image: MediaClubSouthAfrica.com. Formore free photos, visit the image library) MEDIA CONTACTS • Mack LeweleDAC director, communications and liaison+27 12 441 3084 or +27 82 450 5076• Jan ScannellBraai4Heritage+27 82 770 3519RELATED ARTICLES• Celebrating heritage with dance • Opening up SA’s heritage• World heritage in South Africa• Sacred lake to be heritage site• The history of South AfricaJanine ErasmusHeritage Day, 24 September, is a South African holiday that celebrates the nation’s rich diversity of cultures and traditions. This year, all around the country festivities will take place under the theme Celebrating South African Craft, Our Heritage.The public holiday is the culmination of the annual Heritage Month campaign, which is overseen by the national Department of Arts and Culture (DAC). The programme is aimed at building national pride and increasing social cohesion through the month-long series of events.On 24 September this year South Africa’s deputy president Kgalema Motlanthe will travel to Moroke, Greater Tubatse municipality, in the north of Limpopo province, to address crowds at the national Heritage Day celebrations.Motlanthe, Arts and Culture Minister Lulama Xingwana, Limpopo Premier Cassel Mathale and other government representatives will lend their weight to the day’s proceedings.To start, there will be a traditional cleansing ceremony at the Bapedi heritage site of Tjate in the historical Sekhukhune district. Here, in 1879, the Bapedi (Pedi people) under King Sekhukhune I fought heroically against colonial occupation, taking on a combined British-Boer-Swazi force. Outnumbered and outgunned, they ultimately lost the battle.This ceremony will be followed by the main event in Moroke. A craft exhibition titled Beautiful Things has been arranged as part of the celebrations, where crafters from all nine provinces will be able to sell their wares. Various cultural groups will also perform.While this is the national event, other functions are planned for elsewhere in the country – these include street parades, craft exhibitions and the launch of various Investing in Culture projects.The DAC’s Investing in Culture programme supports craft initiatives around the country, 40% of them in rural areas, through funding and training. Since the programme’s inception in 2005 it has invested about US$40-million (over R300-million) in craft projects.Thriving craft sectorSpeaking at the launch of Heritage Month at the world heritage site of Mapungubwe in Limpopo earlier in September, Xingwana emphasised the craft sector’s important socio-economic impact.About 38 000 people earn a living through an estimated 7 000 small enterprises around the country, and 1.2-million in total support themselves and their families through craft and related enterprises.Moreover, the Department of Trade and Industry estimates that craft contributes $269-million (R2-billion) or 0.14% to South Africa’s GDP annually.“The crafts sector can also be used as a catalyst for rural economic development and for fostering expanded participation in the economy, especially by women,” said Xingwana. South Africa’s crafters are predominantly female.Xingwana deplored the exploitation of rural crafters by intermediaries and unscrupulous retailers, adding that access to reputable markets is an ongoing problem. She also noted the lack of a national body to represent this sector, saying that as individuals, crafters do not have a strong enough voice to negotiate on pricing and often they have to take what they can get.“Paying attention to the crafts industry will help forge a national identity,” she said, “restore respect between the knowledge holders who transmit skills to our youth, and promote Proudly South African products and their economic potential to South Africans”.On the eve of Heritage Day Xingwana will host a gala dinner in Polokwane, Limpopo’s capital. At this event DAC and the Old Mutual Foundation, the social investment arm of financial services group Old Mutual, will sign a memorandum of understanding to collaborate in helping crafters with basic business and leadership training, and better access to markets.Sizzling celebrationNot only is the 24 September a celebration of culture and craft, it’s also designated National Braai Day. This event falls in line with the vision of Heritage Day, and that is to bring people together to enjoy one of the country’s great traditions – the braai (Afrikaans, meaning barbeque).The non-profit, non-political organisation Braai4Heritage is behind Braai Day, encouraging South Africans to celebrate this unique aspect of their heritage, while cooking up a storm.This culinary custom originated in the Afrikaner community, but has since transcended demographics and become popular among all ethnic groups and countries in the Southern African region.The patron of National Braai Day is the esteemed Archbishop Emeritus Desmond Tutu. When approached in 2007, Tutu gladly accepted the patronage, saying that the braai is a force for unity.“It’s a fantastic thing, a very simple idea,” enthused the archbishop on the first Braai Day two years ago. “Here is one thing that can unite us irrespective of all of the things that are trying to tear us apart.”The Nobel Peace laureate then reached for an apron and tongs and took his place beside the fire before tucking into a boerewors roll. Boerewors (Afrikaans, meaning farmers’ sausage), a braai essential, is a spiced beef sausage packed into long casings. Popular variations in Southern Africa include flavours such as chilli, garlic and cheese, as well as different meat fillings such as kudu or springbok.Initially the braai idea came under fire from the National Heritage Council due to fears that it would demean Heritage Day, but the meaty organisation later received the blessing of the council and Braai Day has now become a driving force for nation-building.Queries or comments? Contact Janine Erasmus at firstname.lastname@example.org.
While DSLR technology has opened up a whole world of possibilities when it comes to capturing cinematic like images, it’s also caused an overuse of extremely shallow DOF.Like many filmmakers, one of my largest goals is to create visuals that truly feel cinematic and filmic. By now, most of us know that there is much more to getting a cinematic looking image than simply using shallow depth of field, yet most of us to this day will focus on DOF over many other facets that are equally important. Framing/compositing, lighting, camera movement, and other critical cinematography techniques nearly always play second fiddle to depth of field for most filmmakers, and this can cause some big issues when developing your craft.Cinematography, like any art form needs to be constantly developed, practiced, and challenged. One of the biggest issues that DPs run in to (especially as they start getting really good at a particular style), is that everything that they shoot starts to look the same. They know how to make an image look good every time – they can frame a nice closeup, get proper lighting ratios for hair/fill lights, have good slider techniques, etc. But eventually this skill set becomes overused by the DP as it is an easy way to fall back on guaranteed nice looking images.Before I go on, it’s worth noting that I’m not suggesting that you throw out everything you know every time you get to set so that you never repeat yourself, but I am suggesting that you shake things up a bit so your work doesn’t become boring. And probably the best way to do this if you’re a DSLR shooter, is by shooting with a deep depth of field. Why Deep Depth Of Field?Mainly because it’s the exact opposite of what you want to do. It’s really easy to make an image look nice when you can throw the messy background out of focus, but when you need to shoot with a deep DOF, things get harder – which is a good thing. It’s when you’re challenged that you can really develop as an artist, so why deprave yourself of that personal and creative growth?Try shooting your next closeup scene at an F8 instead of an F2.8 and see how it will change everything. You’ll position your actors differently, frame up the shot in a unique way, clean up the production design, amongst many other things. When you eventually get your shot looking right (even if it took more work than shooting with a shallow DOF), you’ll end up with a result that is far different from what you would normally get. And hopefully for the better.To this day I still shoot the majority of my material with a shallow DOF, and I’m by no means advising against using it, but I am advising that you attempt to master shooting without relying on a wide open aperture. When you’ve mastered deep DOF, or at least grasped it more than you might have right now, going back to shallow DOF will yield much better results as you’ll be paying attention to different areas of the image that you otherwise may have not been focusing on.And by the way, deep DOF can look really cool. A lot of the times we associate deep depth of field with old camcorders, or the ‘video-look’. But there have been plenty of films since the early days of cinema that have employed deep DOF shots, and have been some of the most iconic and cinematic films in history. The most obvious example is of course Citizen Kane, which has one of the deepest DOF shots I’ve ever seen, and a lot more ‘cinematic’ than anything shot on a DSLR at F1.4!Assuming you’re already an experienced DP, just go out and experiment. Have fun with it. See what works and what doesn’t, letting yourself place a focus and emphasis on all of the other important components of cinematography. When you start nailing some shots without having to use the crutch that is shallow depth of field, you might just feel like a huge weight has been lifted off your shoulders.
He has also been unable to find a steady home ever since, as Charlotte will be his fourth team in six seasons—with brief stops with the Los Angeles Lakers, Houston Rockets and Atlanta Hawks. Khristian Ibarrola/JBRELATED STORY:NBA: Dwight Howard looks to add 3-pointer to repertoire next seasonADVERTISEMENT BSP sees higher prices in November, but expects stronger peso, low rice costs to put up fight Frontrow holds fun run to raise funds for young cancer patients LOOK: Loisa Andalio, Ronnie Alonte unwind in Amanpulo for 3rd anniversary View comments Nonong Araneta re-elected as PFF president LATEST STORIES Read Next Kammuri turning to super typhoon less likely but possible — Pagasa Protesters burn down Iran consulate in Najaf PLAY LIST 01:37Protesters burn down Iran consulate in Najaf01:47Panelo casts doubts on Robredo’s drug war ‘discoveries’01:29Police teams find crossbows, bows in HK university01:35Panelo suggests discounted SEA Games tickets for students02:49Robredo: True leaders perform well despite having ‘uninspiring’ boss02:42PH underwater hockey team aims to make waves in SEA Games MOST READ Although injuries have been a major concern for the 31-year-old center for the past seasons, Jordan believes that Howard’s struggles could also be attributed to his attitude and demeanor on the court.“Why are you so pissed off?” Jordan asked his new prized center in a phone call this off season, according to Sports Illustrated.FEATURED STORIESSPORTSWATCH: Drones light up sky in final leg of SEA Games torch runSPORTSSEA Games: Philippines picks up 1st win in men’s water poloSPORTSMalditas save PH from shutout“When you’re pissed, you’re out of control, and you’re not focusing on your shots or your free throws or the right type of defense… Why play pissed when you can play determined?” the six-time NBA champion added.Since leaving the Magic in the 2012-2013 NBA season, Howard has regressed statistically and has struggled to develop new skills that will fit in the league’s new uptempo style. Dwight Howard (left). NOTE TO USER User expressly acknowledges and agrees that, by downloading and or using this photograph, user is consenting to the terms and conditions of the Getty Images License Agreement. Kevin C. Cox/Getty Images/AFPDwight Howard may no longer be the athletic specimen he once was, but NBA legend and Charlotte Hornets’ owner Michael Jordan believes he could still be effective in today’s fast-paced league.The Hornets acquired the services of the eight-time NBA All-Star this off-season, in hopes of rekindling his earlier dominance, where he averaged around 20 points and 14 rebounds per contest.ADVERTISEMENT Don’t miss out on the latest news and information. E.T. returns to earth, reunites with grown-up Elliott in new ad Brace for potentially devastating typhoon approaching PH – NDRRMC La Salle blows lead, holds off Adamson in Mbala’s return Fire hits houses in Mandaluyong City
OTTAWA — The Supreme Court of Canada says a reporter must give the RCMP material he gathered for stories about an accused terrorist.The decision is likely to be seen as a defeat for media that could leave them vulnerable to serving as investigative arms of the police.In 2014, Vice Media reporter Ben Makuch wrote three articles about the involvement of Farah Shirdon, formerly of Calgary, with the Islamic State of Iraq and the Levant. Exchanges between Makuch and Shirdon through a text-messaging service were crucial to the stories.The RCMP obtained a production order under the Criminal Code that directed Vice Media and Makuch to hand over documents and data related to communications with Shirdon.Makuch brought an application to quash the production order, but it was dismissed — a decision upheld by the Ontario Court of Appeal and now the Supreme Court.More comingThe Canadian Press
Advertisement LEAVE A REPLY Cancel replyLog in to leave a comment Facebook “An upsetting dystopian future has emerged where women no longer have a say. However, we say be bold and speak your mind in this exclusive Brave Red Maiden costume featuring a red mini dress, a matching cloak with an attached hood, and a white bonnet headpiece. (Pantyhose not included.)”The reaction was swift from some online critics.I can’t decide if this misses the point of The Handmaid’s Tale, or encapsulates it completely. https://t.co/nSDeKpJN8T— Petra Starke ?? (@petstarr) September 21, 2018“I can’t decide if this misses the point of The Handmaid’s Tale, or encapsulates it completely,” wrote one Twitter user.Wait. Is this…sexy handmaid? This is so far from the point I can’t even.— Noncompliant (@_noncompliant_) September 20, 2018“Wait. Is this … sexy handmaid? This is so far from the point I can’t even,” said another user.WTF WHO THIUGHT THIS WAS A GOOD IDEA I JUST WANNA TALK https://t.co/DsHBarTujG— Kozmik Warlock ?? (@kozmos92) September 21, 2018“WTF (what the f—) who (thought) this was a good idea …,” added one more person.However, there were many other people who came to the defence of Yandy, arguing that there was nothing wrong with the outfit.“There are sexy Handmaid’s Tale outfits for Halloween and tbh (to be honest) I love them,” one defender of the costume wrote. “They are everything Gilead would have hated and that’s perfect in a way I appreciate.”Atwood chimed in Friday morning when asked by a Twitter user if she could put a stop to the costume’s sales.No, I can’t put a stop to it..@MGM or @HandmaidsOnHulu might say something; but, after appearing at so many protests, the outfit is out of the box by now. Not sure this version will sell many, however. Who exactly would wear it, and on what occasions? Anyway the shoes are wrong. https://t.co/18HeMONM9t— Margaret E. Atwood (@MargaretAtwood) September 21, 2018“No, I can’t put a stop to it,” she wrote in response. “@MGM or @HandmaidsOnHulu might say something; but, after appearing at so many protests, the outfit is out of the box by now. Not sure this version will sell many, however. Who exactly would wear it, and on what occasions? Anyway the shoes are wrong.”Yandy released a statement early Friday morning after receiving a barrage of online backlash.“Over the last few hours, it has become obvious that our Yandy Brave Red Maiden Costume is being seen as a symbol of women’s oppression, rather than an expression of women’s empowerment. This is unfortunate, as it was not our intention on any level. Our initial inspiration to create the piece was through witnessing its use in recent months as a powerful protest image.“Given the sincere, heartfelt response, supported by numerous personal stories we’ve received, we are removing the costume from our site.”pic.twitter.com/0w5NQS438g— Yandy.com (@Yandy) September 21, 2018But there’s good news for fans of sexy Halloween costumes: the site is advertising over 1,900 other party getups for Oct. 31. Advertisement Login/Register With: Advertisement There’s one less sexy costume for Halloween this year.The Brave Red Maiden costume, initially for sale through the online retail site Yandy.com, was removed following an outcry on social media Thursday, due to its glamourization of the fertile female slave characters from Canadian author Margaret Atwood’s dystopian novel and current TV show The Handmaid’s Tale.Yandy, which prides itself on encouraging its customers to “own your sexy”, provided this description of the outfit: Twitter
VICTORIA – The British Columbia government has granted an environmental assessment certificate for an open-pit gypsum mine in the West Kootenay.The government says it considered a report from the Environmental Assessment Office and it’s confident the 135-hectare project by CertainTeed Gypsum Canada Inc. will be built, operated and closed in a way that ensures no adverse effects are likely to occur.Environment Minister George Heyman and Mines Minister Michelle Mungall say the protection of water quality in the nearby Kootenay River is important and they have received assurances that the sedimentation ponds for the project are constructed to stringent standards.The mine’s annual production is estimated at 400,000 tonnes of gypsum, which is used to make drywall, cement and plaster of paris.The government says the company worked with two local First Nations to develop the certificate and ensure the concerns for their territories were met.Construction of the new mine in southeastern B.C. is expected to cost $23.7 million, with annual operating costs of $4.3 million.
Munich: Jurgen Klopp brings Liverpool to Germany to resume their battle against Bayern Munich with the hosts billing Wednesday’s Champions League last 16 return leg as an all or nothing showdown. After a goalless draw at Anfield in the first leg three weeks ago, everything is to play for at Munich’s Allianz Arena. Klopp knows what awaits his Reds in the highly-charged arena where Bayern tend to raise their game and away teams face a barricade of whistles whenever they touch the ball. Also Read – Dhoni, Paes spotted playing football together “The four goals are all well and good,” said Klopp after Liverpool’s 4-2 win on Sunday at Burnley, with Roberto Firmino and Sadio Mane both scoring twice. “But what does that have to do with Munich? It will not be so easy to score four goals there as well.” The 51-year-old has a modest record of nine wins, five draws and 16 defeats in 30 games against the Bavarians — as coach of either Liverpool or former clubs Mainz and Dortmund — dating back to 2004. Also Read – Andy Murray to make Grand Slam return at Australian Open However, in his seven seasons with Dortmund, between 2008 and 2015, Klopp managed an impressive four wins, plus a draw and four defeats, from nine games in Munich. He tasted victory on his last visit to the Allianz Arena in April 2015 when Dortmund beat Bayern on penalties in the semi-final of the German Cup. Klopp knows that his team must walk tall at Bayern’s home. “It’s a much more positive moment for Bayern. They are top of the table and winning games comfortably again,” Klopp told Liverpool’s website. Bayern have hit form, winning their last three games with a goal ratio of 12-1 since the first-leg draw. “But if we are at our best, we can be exceptional.” Liverpool fans hope Reds’ striker Mo Salah has a red-letter day in Munich after just one goal in his last eight games. His lack of goals has not stopped Liverpool staying in contention for the Premier League title as Mane and Firmino have filled the breach. The Liverpool match is seen as a season-defining tie for the German champions. The five-time winners last failed to get through the last 16 stage in 2011 and confidence is high after they moved into top spot in the Bundesliga at the weekend for the first time since September. “It’s a very important game – everything is riding on this,” said sporting director Hasan Salihamidzic. “The boys have put some more self-confidence in the tank,” he added after Saturday’s 6-0 mauling of Wolfsburg. Bayern will be without the suspended Thomas Mueller, but James Rodriguez will slot seamlessly into the attacking midfield role. Like Klopp, the Colombian expects a red-hot atmosphere having proved his form with a stunning goal at the weekend. “The fans will get right behind us and drive us on, so that we feel good and give our all,” Rodriguez told Bayern’s website. “We will have to put in the perfect match in order to go through. “Liverpool have quick players, who feel good when they get a lot of room, but I think we have every chance to go through.” German bookmakers agree and have made Bayern the slight favourites. The tie needs no added spice, but Jerome Boateng and Mats Hummels are still smarting after Germany coach Joachim Loew told them, along with Mueller, that their international careers are over. The centre-backs will have a point to prove against Liverpool. At the other end, the Reds’ Dutch defender Virgil van Dijk will have to subdue Rodriguez and Bayern’s record-breaking striker Robert Lewandowski. The Poland hot-shot became the Bundesliga’s top-scoring foreigner on Saturday when he extended his tally to 197 goals. So eager is Bayern head coach Niko Kovac to protect his forward that Lewandowski trained on his own on Monday as heavy snow fell in Munich. “You need to be smart and more than 100 percent ready for anything,” Van Dijk told UEFA.com on countering the threat of Lewandowski, who scored eight goals in the group stages. “If he’s trying to run at you, trying to get past you, you need to be ready for that as well. “You don’t need to give any opportunities to those strikers because they will punish you and they will score.”